Tertis's autobiography includes chapters on the beauty of tone in string playing and the Tertis model viola.
“I ended up learning a lot from this book; I never knew the viola was so rejected by orchestras. Lionel Tertis took it upon himself to change that view and he did it. At the end of the book, there are tips for making the most of playing solo, in a group, and for composers wanting to highlight the viola. ”
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